Council Continental University, Los Andes University, University of UNCP, journalist, professional associations and cultural center of Peru recognizes and congratulates
The Roman Empire under Trajan, 117 AD
Brief History of Time: It was time, the Arabs traveling from Tripoli to Tangier, without ever moving from the shade trees at their convenience at a time when towns and cities appeared everywhere, architecture, big time, and whenLiterature found new voices. Period, the sparkling beauty of Rome from England, Italy, PERT, and most of Europe, in large part, along with parts of Africa and Asia, where the forums, temples, aqueducts, and theaters reaching the other side of the Roman world, and revealed his wealth. Time of economic security, order, discipline, where shortly afterwards, this would allow the destruction, chaos and negligence destroyed roads, reservoirs and canals. Ephesus was a first class city inAsia Minor, and was out of town, where the number of apostles went, and especially John, who took care of Mary, Mother of Christ, and had a brick house built on top of a hill within the city walls, where the Ephesians erected a long and winding marble corridors all likely to lead to the towering marble facade of the library ...... and this is where our story takes place
ACT ONE SCENE ONE of
It is eleven to thirty in the evening, it is dark, with the exception of a few torches litscattered sporadically along the corridor that leads to the library in Ephesus, which is made of marble. There is a large carved marble shield on the arcade next to the library, dedicated to the Emperor of Rome, Augustus (spelled incorrectly on the arc), who reads his name, but there are, they are all walking down the hall, two girls with two Roman soldiers walking down the hall to the library , four are a bit corny. Two soldiers are in uniform, butCard statues and accommodation for the priests and soldiers, and temporary housing, small temples as places of refuge along the corridor, many pillars. One of the girls stop and look at the marble sanctuary, heard a voice murmuring, almost seductive ...
The Roman soldier. Let's go. The night is late, and I checked the guards in the morning.
Girl. I heard a voice there, it sounded familiar.
(Another soldier and a girl already in the hall wayLibrary)
The Roman soldier. Why should you care whose there?
Girl. Well, I do care, let's see.
The Roman soldier. It appears, therefore, my noisy one. To hell with it, I have better things to do than you play someone else's private affairs, inside what is this structure: a room or a house or shelter.
Girl. You ass!
The Roman soldier. It's not so bad, I called worse.
(He stopped, put his hand over her mouth, as ifthinking what to say, did not sober up shakily, still did not want to fall)
Have I ever been nice? I think I know who I am, what can I do?
Girl. I do not care what you do when you're with me, everything that the Roman soldiers are appalling when you're drunk, and rude when you Sun Everything I wanted was to see who was there. If it's too much to ask hell with it, let's just keep on moving in silent library, so you can do whatever your heart desires, there inside, when wecan get in, saying that the commander, I think we can.
The Roman soldier. Okay, okay you win, I look inside and see. But I tell you plain, a woman brings two moments of happiness for men: one, when love for him, the other when it gets up out of bed and leave him be quiet.
(Smiling girl, very bright and great looking smile, smiling, as if to say, no, I have my way)
Girl. I wish I had a marble sanctuary like thisOne, I'll buy me one once.
PERIPHERAL
ACT ONE SCENE TWO of
Suddenly the curtain on the stage II. Inside the room, which is really a shelter for the statue of Dionysus, like a shrine might say that is a cot, a statue inside the temple, and there is a small table to the bed, a priest by the name Demetrius sat on it, a woman named Lydia next him, and he talks about trade and Cayster Maeander, along with religion andart, regardless of the conversation is, you hear only gibberish for the most part, maybe not to anything that makes sense, if one was observant, it almost looks like a show put on for the audience. The woman is dressed expensively. Beside the bed is lit candle, which is clearly bright. Lydia is a beautiful tall brunette, sitting on the edge of the bed. Behind her, and he is a little square window, you can see the stars through it. There is a map on the wall of leather, hasdrawing of the whole space to all and especially marble corridors leading into the library, and satanic looking symbol. Roman soldier (Theodorus) is looking at both, especially Lydia, who is just looking from the ancient scroll in her lap, who might think that reading, but whose to say it looks a bit until it is as if she is disturbed before the mind, "he says in a very refined voice:
Lydia (she notes the Roman soldier is highrank). Sir, if there is something you want, or want, please, what it is, other than that, please let us on our business, and do not disturb us more.
(The man, whose name was Theodorus, for the sight of two)
And please keep my eyes, it is most annoying.
(Theodorus continues to look at it myself now) (the priest is short and thin, almost lame looking, if not almost deformed, and somewhat annoying, uglier than a dead rat)
Lydia. You are part ofwatch? (No answer is given to Theodorus)
((Theodorus, over six feet tall, two-hundred pounds, with a rough looking beard, now produces a ruthless, but as a joker in his face, as if he was offended, but neither the girl nor the man show fear, or for that matter , reprisal.
Girl. Let's look Bupalus, I double and I never miss my aim with one hand, and we are doing in the library.
The Roman soldier. (In an interview with Lydia) What name do you gofrom?
Lydia. Many, but Lydia is doing!
(No retort that remains close to a trance, almost as if overcome by her beauty and painful to have her. His mind was full of folly and thinking, you can see in his self-possession, and continence)
Lydia (eyes, ever-changing, as if by fire and water). Distaining is to explain my findings in a comprehensible by professional soldiers.
Demetrius. (Speaking passionately) I assure you, sir, we are not doing anything terrible in thissanctuary, I am a philosopher and poet, as priest, and I'm Lydia teacher and I teach a lot of art.
The Roman soldier. (Still staring at Lydia) So you!
Demetrius. Maybe we should move into the temple of Artemis, that there is more private, Lydia?
Lydia. We should and we should not. Here, our universe is larger, becoming more variety, change is a condition of Inferno, the soldier is among many, and he lives in the heart of the Inferno, FireBlinking nervously inside. You Demetrius is filling the life and mood.
The Roman soldier. What kind of jokes are boring? I'm bored Lydia bitch.
Lydia. Do not call me names, for the amusement of your bitches, you know the risk in that.
The Roman soldier. Do you understand what will happen here, or what is happening here?
Lydia. No, I understand something about the universe, but not half as much as Demetrius, are like fire,are severe and puzzle to me why you stay here, you can sense danger?
Demetrius. He is a volcanic island to make his land, he wanted to become a garden orchards and vineyards, in essence, wants to make love to you. He is conspiring with his dead-me, get back too you apparently received from him as a man. But if he touches you, Rain, who is more powerful than Zeus descends upon him, and from high heaven.
The Roman soldier. God is notZeus, Neptune probably swallow up Zeus, or his slave Tiamat, and thy God, which is to say, stronger than Zeus.
Demetrius. Maybe I swallowed them both, you and Lydia.
Girl. (In shaky voice) I want to make love to you, I do not think it's all very reasonable, indeed, get outta here.
(But Lydia was close to paralyzing beauty, and did not want to move, and he will not move or lose their chance ...)
The Roman soldier. No! I wish to remainhere. It's fun, and so much more alive than just sex. And you're acting like a child.
Demetrius. It is the best medicine between the Greek and Roman, to what does not belong to you, in effect, because nobody can stop, or punish?
The Roman soldier. Is not that what Plato, your philosophical God you said it man made?
Demetrius. I see that you learned a little, but do not yield your heart, anxiety, save yourself, and be gone.
Girl. But rarelydoing. I wish you came (she starts to move towards the door to leave, her face showing fear)
(There is a knock on the door)
I think our friends are here, looking for us, darling.
(Other Roman soldier, subordinate, hears voices inside the small sanctuary and walks, he is a minor character, and a little plump, short, speaks extraordinary though.)
The Roman soldier. Oh, I see it's you.
2nd Roman soldier. How are you, well I hope? I wasJust in the library, he came back, if you have any detail of any kind or sort in the way you want. So all is well, your friends are looking for comfortable?
The Roman soldier. Hard to say, in front of this lady art, Lydia.
Demetrius. For the grief you will gain poppy, my friend Roman, this is your last warning.
2nd Roman soldier. (In an interview Theadorus) I see you have a clear anti-philosopher. They have words, andjoke, but not the sword in these trying times like this, my friend: his wit and words are like ice, they melt faster, and leave a mess. Put him on his sword and take his bitch Sappho, her ring on a wooden cross.
Lydia. Not!
2nd Roman soldier. Then I.
(Lydia, she unhooks her silk dress, and let it fall on the marble floor, he blows a candle, and now it is dark, dark shadows cover the moon and the moon dim sanctuary, and an externalstructure seems to be somehow darkened, as if the wind covers her veil)
Lydia. Coming.
2nd Roman soldier. I greatly prefer to come for both of us, before I pull out my sword.
(There is the sound of a cat in the dark)
PERIPHERAL
ACT ONE Scene three of
Suddenly the curtain on the stage III. Inside the sanctuary, through the small rear window you can see the moon, it is as if seemingly lurk in shadows of the leaping about Monitoringshadows, as if Lydia herself audience, even a month, it seems that cold breath. There is a door between them, the frame of the sanctuary is open now, and you can see shadows, a reflection of a torch outside the door, which was light in the hallway. Demetrius is in bed, he is still standing near the bed, watching everything through the window came the sounds and voices, haunting voices from afar, is a battle going on inside the sanctuaryfloor ...
(The big cat purring in the darkness in the sanctuary, it seems that the speed of light)
2nd Roman soldier. It's scary when it is on hands and knees, my feet and long talons, she is crawling like a cat trying to bite me, scratch me, Eat Me, perhaps the gods forbid (crying)
The Roman soldier. I'm worse than you, she bit me in my legs bleeding, it's insensitive, but I can not feel entirely-maybe take a piece of him ... It's unbelievable;It's turned into a cat as something terrible, she-devil. (And you can hear the snapping bones, teeth, as if he had broken them)
(Cat-woman, Lydia, and is seemingly always hungry, you see a long thick tongue hangs out of her mouth, unable to understand the lack of food, beautiful, with yellow eyes turned into beasts, angry fingers, and then the candle is lit, as if Demetrius he is missing something and wants to see you all, she is gone, and two soldiers are eatenalive, almost to the bone, crushed, as if rats had pulled out his intestines and eat them hollow. Of course, they were dead. You see it as a light appears at the shelter, as if Demetrius turns on itself instead of turning to moonlight, but he just looks like the moon, the little square box)
Demetrius. (In an interview with Lydia, still, she is found sitting naked on the bed) What's on your mind?
Lydia. Always something.
Demetrius. Do not worry, Iall set.
Lydia. You be careful, Demetrius, if you bury them, a far-away, there are two whores, so they know what took place here, and people that you're a priest.
Demetrius. (The low near-joking voice), falling in love just looking at you. Your body and appearance, it was like a sweet wine, honey, and to him, stabbing him and we, his curiosity, like a bee. We simply need to return to Pergamun where my earthly throne-seat stays. Zeus is foolish to think andNeptune could have power over me, or even cite a weak-minded philosophers and poets, such as: Socrates, Plato, Sappho, as if they were impressive to me, mischievous pixie, evil forces. If anything I am saddened that it was not visible on the facade of who I am, I am personally a big enemy, I was a bright star in the sky once, I was voted one of the sky, which the Almighty alone, outside all the angelic forces. I realize that the misery of the RomanSoldier to fit into our little bee hive, even though almost planned, if not he, then someone else could a girl like, but some odd and unconscious omen to slink away, I was able to influence it at first, her mind was open to it, and here she met famous ecstatic evil spirit on earth, the story-if only she knew how to say, I am interested to meet her again though, perhaps consciously than unconsciously.
. ((Well, he, in modern terms: Luciferhimself, and his courtesans drachma, Lydia, which can transform and shape-change at will, and loves the warm blood that is just an extra treat, knowing that the Roman soldier needed to provoke, and both of them before they could act with vengeance, and all ended well be on them, they were both very happy.)
PERIPHERAL
Comments on the Play: "The corridors of Ephesus" or "The Devil gets the best," written, throughout the day, August 29, 2009, in Huancayo, Peru, and reviewed andedited 30.srpna 2009th The game is produced here in full. Drawing by the author, who has called him: "She-Devil and the Serpent" was inspired by images he saw performed in Zu Xin Yang Yang Yang, a gallery in Roseville, Minnesota, 1999.
"Take my yoke upon you and learn from me, for I am meek and lowly in heart: and ye shall fine the rest for your souls." Matt. XI. Line: 29
Taken from the Bible (the author bought in 1991), writing of 1846, the AmeliaHutchinson,
from her ever-loving mother ...
Copyright © August 2009 by Dennis L. Siluk
All rights reserved. No part of this game may be reproduced in any form except with the authorization of the original copyright holder, Dennis L. Siluk (first appearing in the storybook of the 500-ks)
The game can be modified to accommodate the theater,
participants and resources available
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